Jvc Professional Broadcast Digital Video Camcorder Nice

Oct.27, 2009 in Uncategorized

2/3 chip 700 line dv camcorder cineline. For base unit, check it out yourself!

This camera has gy-dv700wu 16:9 head, will shoot 4:3 as well. Has vf-p116wu pro 1.5 viewfinder, yj19×9bkrs canon 19x zoom lens, ka-a50u jvc pro mic holder, endura 1800022 power upgrade, idx side mount adapter for wireless mic, and upgraded mic. Camera has been professionally used in our studio, only a few times. Less than 40 hours use. Usually sits in case, now its someone elses chance to own such a professional quality broadcast camcorder for a much lower price. Camera and equiptment is in perfect condition, with tons of features. Full automatic modes as well is many manual profesional modes. This camera has great picture quality due to the 3 huge 2/3 inch ccd lenses. This is one of the factors making this camera so much more expensive than the 500 models with the 1/2 inch lenses, besides all the onboard switchboards and broadcast equipment. Audio/video audio 16-bit, 48 khz or 12-bit, 32 khz pcm for 2 channels frequency response: 20 hz to 20 khz (16-bit), 20 hz to 14.5 khz (12-bit) s/n: 59 db or more dynamic range: 79 db or more.

Illumination sensitivity: f11, 2000 lux min. Filter size 2/3 bayonet system. Filter: 3200k, 5600k, 5600k + 1/8nd/5600k + 1/64ndpower requirements dc 10.5 v to 17 v approx.

Dimensions 290 (w) x 245 (h) x 130 (d) mm (11-7/16″ x 9-11/16″ x 5-1/8). Weight body itself weighs only 3 kg 6.6 lbs. W/lens, viewfinder, battery pack and tape. Input terminals three xlr connectors provide line or microphone input level.

Bi-directional ieee 1394 interface: 4-pin (digital data + vtr section control). Rs-232c interface: mini din 6-pin. Audio inputs (audio 1, audio 2) mic: -60 dbs, low impedance (xlr), balanced line: +4 dbs, 10 kohms, balanced line outputs (line 1, line 2): -6 ± 1 dbs, low impedance (rca), unbalanced. Output terminals video output: 1.0 vp-p, 75 ohms (bnc) (composite video signal). Y/c output: y/c signal, 4-pin, 75 ohms, unbalanced. Lens b4 lens mount compatible with prime hd lenses, 16:9 switchable, and standard 2/3 lenses. Video 8-bit, 13.5 mhz, 4:1:1 component recording. Television system ntsc (wide-band r-y, b-y encoder). Tape format/speed dv format uses minidv tape.

Image sensor three 16:9 2/3 interline-transfer ccds (480,000 pixels x3)dual-pipeline 14-bit cine-dsp. Three 2/3-inch 16:9 ccds (480,000 pixels x3).

F11 at 2,000 lux min. B4 lens mount compatible with prime hd lenses, 16:9 switchable, and standard 2/3 lensesfrom the documentary producer to the hollywood director, the versatility of digital video has long intrigued filmmakers.

Jvc introduces the digital solution that offers the missing factor to the digital cinema equation–the outstanding image quality of the gy-dv700wu cinedv camcorder. The gy-dv700w camcorder features three new 2/3-inch interline transfer ccds and is switchable between its native 16:9 aspect ratio and the traditional 4:3. With enhanced sensitivity, the gy-dv700w provides additional functionality to broadcasters and independent producers. The ability to shoot in the 16:9 aspect ratio make this camera very attractive to the growing independent movie production community, which has been buoyed by the success of the blair witch project. Drawing on jvc’s heritage of extraordinary camera design, this professional dv camcorder does not sacrifice quality or performance.

The camera portion of the gy-dv700w delivers the equivalent of 750 lines of horizontal resolution and a wealth of professional, broadcast features, including 14-bit digital signal processing, full auto white, black stretch/compression, built-in genlock, zebra level indicator and jvc’s renowned lolux low light performance. The camera can either be operated in the full manual mode, made easy because of its professional-standard ergonomic design, or, for added convenience, can be switched to full auto shooting.

Developed in cooperation with the bbc, the cinedv dv700 combines three state-of-the-art 2/3-inch, true 16:9 ccds with jvc’s original high-performance dual-pipeline 14-bit dsp (digital signal processing) for truly exceptional image quality. This combination gives you the power to unleash the creative potential of the dv format like never before.

Even down to its very design, the cinedv dv700 was created with the professional’s needs in mind. Controls are exactly where you expect. A full range of professional accessories is available.

And you’ll even find advanced features like tc and super scene finder for automatic scene logging. Creative innovations are only part of the story. The cinedv dv700 affords filmmakers practical breakthroughs as well.

Superior cost efficiency of both the camera and the dv format allows more of a production’s precious budget to be spent on casting, music, wardrobe and other equipment. The cinedv dv700 gives you all the tools you need to work in a professional yet practical way. Just ask the winner of the vancouver film festival’s one shot challenge, who selected the cinedv for its creative potential, sophisticated tools, effects and features. Finally, there’s a dv camcorder that offers filmmakers, broadcasters and independent producers maximum functionality and truly unprecedented creative flexibility.

With the cinedv dv700, digital cinematography has clearly arrived.

Share and Enjoy: